Table of Contents
ToggleA Melody Muted: Remembering Munnavar Rana, the Poet of the Common Man
The Urdu literary world woke up yesterday to the saddening news of Munnavar Rana’s passing. After a prolonged battle with illness, the poet known for his poignant verses and connection to the common man, breathed his last. Rana’s death leaves a void in Urdu literature, but his legacy as a chronicler of everyday life and emotions will continue to resonate with readers for generations to come.
Born in 1952 in a small village near Muzaffarnagar, Uttar Pradesh, Munnavar Rana’s poetic journey began early. Inspired by the likes of Faiz Ahmed Faiz and Majaz, he started writing ghazals and nazms during his college days. However, it was his unique ability to capture the struggles and joys of ordinary people that set him apart. Rana’s poems weren’t confined to the mushairas of elite circles; they found their way into the hearts of rickshaw drivers, farmers, and everyday workers who saw their own lives reflected in his verses.
His language was simple, devoid of unnecessary frills, yet charged with emotion. He wrote about love and loss, the yearning for social justice, the beauty of the mundane, and the resilience of the human spirit. His poems echoed the anxieties and aspirations of the marginalized, giving voice to their unspoken experiences. Whether it was the farmer toiling under the harsh sun or the migrant worker yearning for home, Rana captured their essence with empathy and honesty.
Beyond his individual poems, Rana’s contribution to Urdu literature extends to his role as a mentor and cultural bridge. He actively encouraged young poets, particularly those from disadvantaged backgrounds, and provided them with a platform to showcase their talent. He also played a crucial role in bringing Urdu poetry closer to the masses through his public recitals and interactions with diverse audiences.
Rana’s passing is a significant loss not just for Urdu literature but for Indian culture as a whole. He was a poet who spoke truth to power, who gave voice to the voiceless, and who found beauty in the everyday. His poems were a testament to the human spirit, its struggles and triumphs, its resilience and hope. As we mourn his loss, we celebrate his legacy and the rich tapestry of words he has left behind.
मुनव्वर राना
किसी को घर मिला हिस्से में या कोई दुकाँ आई
मैं घर में सब से छोटा था मिरे हिस्से में माँ आई
यहाँ से जाने वाला लौट कर कोई नहीं आया
मैं रोता रह गया लेकिन न वापस जा के माँ आई
अधूरे रास्ते से लौटना अच्छा नहीं होता
बुलाने के लिए दुनिया भी आई तो कहाँ आई
किसी को गाँव से परदेस ले जाएगी फिर शायद
उड़ाती रेल-गाड़ी ढेर सारा फिर धुआँ आई
मिरे बच्चों में सारी आदतें मौजूद हैं मेरी
तो फिर इन बद-नसीबों को न क्यूँ उर्दू ज़बाँ आई
क़फ़स में मौसमों का कोई अंदाज़ा नहीं होता
ख़ुदा जाने बहार आई चमन में या ख़िज़ाँ आई
घरौंदे तो घरौंदे हैं चटानें टूट जाती हैं
उड़ाने के लिए आँधी अगर नाम-ओ-निशाँ आई
कभी ऐ ख़ुश-नसीबी मेरे घर का रुख़ भी कर लेती
इधर पहुँची उधर पहुँची यहाँ आई वहाँ आई
Here are some additional points to consider incorporating into your article for further depth and engagement:
-
- Include specific examples of Rana’s poems that exemplify his connection to the common man and his ability to capture everyday emotions.
-
- Mention any awards or recognition he received throughout his career.
-
- Share personal anecdotes or tributes from other poets, writers, or cultural figures who were influenced by his work.
-
- Discuss the broader context of Rana’s poetry within the landscape of Urdu literature and society.
-
- Conclude by reflecting on his lasting impact and the future of Urdu poetry in light of his absence.
Here are some of Munnavar Rana’s most famous poems, each offering a glimpse into his evocative and relatable style:
Maa (Mother):
Aankhon mein meri zindagi ki shuruwat hai maa
Tere aanchal mein meri dunya samaayi hai maa
(Mother, you are the beginning of my life, your lap encompasses my entire world)
This simple yet powerful poem captures the universal bond between mother and child, reminding us of the comfort and security she provides.
Safed Jangali Kabootar (White Wild Pigeon):
Safed jangali kabootar, dhoop mein nange badan
Udte hain yeh aasmaan mein, jaise khwabon ka badan
(White wild pigeons, bare bodies in the sun,
They fly in the sky, like the forms of dreams)
This imagery-rich poem uses the freedom of the pigeon to depict the boundless nature of dreams and aspirations.
Shahdaba (Honeyman):
Main shahdaba hun, zindagi ka shahd leta hoon
Har phool se baat karta hoon, har kali se milta hoon
(I am the honeyman, I collect life’s honey,
I speak to every flower, I meet every bud)
This poem speaks to the poet’s role as a storyteller, collecting experiences and weaving them into narratives that resonate with his audience.
Yeh Zindagi Hai (This is Life):
Yeh zindagi hai, ghadiyal nahin hai
Har pal ko jee bhar ke jiyo
(This is life, not a clock,
Live every moment to the fullest)
This optimistic poem serves as a reminder to cherish the present and find joy in the simple things.
Mere School (My School):
Mere school meri yaadon ke paikar sun le
Bachpan ki tasvirein hain aaj bhi zinda le
(Listen, my school, to the treasure trove of my memories,
Childhood images are still alive today)
This nostalgic poem paints a vivid picture of school days and the formative experiences that shape our lives.
Remember, these are just a few examples of Munnavar Rana’s vast and diverse body of work.